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By Jeremy Colwell, on March 19th, 2012
Another page that I flatted for John Rauch back in the day. It was one of my first pages and looking at the flats as a colorist now, I’m appalled at my selections. Mis-reads and stray pixels all over. Sorry, John. I did get much better though.
From Venom #1, Pg 10.
Pencils by Tony Moore
Inks by Crimelab! Studios
 
By Jeremy Colwell, on March 16th, 2012
When I was first starting out coloring, I got gigs doing flatting for pros. One of my first jobs was for John Rauch for Marvel’s Fear Itself: Homefront #1. I’m trying to prep some samples for the upcoming Emerald City ComiCon, so I’m diving into my HD looking for pages I feel are a good fit and challenge for me.
Lines by Elia Bonetti.
Colors by me.
 
By Jeremy Colwell, on March 15th, 2012
I don’t remember where I got the lines of this, but it’s by Jimmy Cheung (pencils) and John Dell (inks). Captain America versus Iron Man for a two part cover during the whole Civil War storyline a few years (really? Years already?). This version of the cover had Cap winning, the other had Iron Man winning.


By Jeremy Colwell, on March 14th, 2012
Did an even more complicated and labor intensive process on this. The previous technique I was using to color of grayscale had some flaws that made me have a lot more trial and error to get it right. This new way is more likely to get the results I want, but will take some time to streamline into a useful method.
Again, thanks to Matthew Clark for the excellent pencils.

By Jeremy Colwell, on March 13th, 2012
A while ago, longer than I care to remember, I was hanging out at the Periscope Studio with Matthew Clark. At the time I was pursuing inking and he was generous enough to let me snag some scans of his work for practice. Fast forward, and now I’m coloring and doing concept work. Found this on my hard drive and thought it would make a good experiment piece. At this stage it’s part line, part paint. Next is to take it all the way to grayscale paint, then color.

Matthew’s original pencils:

By Jeremy Colwell, on March 12th, 2012
Another Hulk page (no actual Hulk on this one) from Marvel. Working on my scene unity on these. I’ve been so caught up in “rendering correctly” that it’s time to push the storytelling part of my development. Tried to go with a desert pallet.
Penciller: Ed McGuinness
Inker: Mark Farmer

By Jeremy Colwell, on March 12th, 2012
After crits and self reflection, I decided to revise this cover. Basically, it lacked unification as C.P. Wilson III observed on the Ten Ton message board. I agree. In my typical fashion, if I make a change I go the complete other direction, so now it’s very unified, but less accurate. Some day I’ll find a balance!

By Jeremy Colwell, on March 11th, 2012
Using the technique from the previous posts on something a bit more pre-rendered, like I would likely get for a cover assignment. This is the cover to Hulk Asunder #1, pencilled by Marc Silvestri, and inked by Joe Weems.

By Jeremy Colwell, on March 11th, 2012
Alright. Think this worked out about how I expected. Fun technique. Not real useful for sequential pages, but has a lot of potential for covers, commissions and concept work. Here’s the final and the process shots.


By Jeremy Colwell, on March 11th, 2012
Couldn’t sleep last night around 3:30am, so got up and worked some more on this piece. Tried refining the grayscale portion of the process. Here’s the updated version.

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