I should be working on paying stuff, but dammit, it’s my birthday and everyone’s in bed here, so I’m doing what I want. Saw this drawing by Steev on Ten Ton and used it to play with some color theory stuff. Might as well share.
|
||||
|
I had a request from a member of Ten Ton forum to do another video painting over someone’s lines. I selected a Khoi Pham Beta Ray Bill sketch and gave it a quick sketch paint treatment. Video is sped up 4x actual speed since I assume you don’t need too much detail on this sketchy thing. Using a crop of stock photography by mjranum, I did a quick trace over (not recommended method for learning how to draw) so I could focus on rendering the volumes with light and shadow. Video linked recoding plays back a original recorded speed. Maybe audio commentary coming later if I have time or interest. Another page that I flatted for John Rauch back in the day. It was one of my first pages and looking at the flats as a colorist now, I’m appalled at my selections. Mis-reads and stray pixels all over. Sorry, John. From Venom #1, Pg 10. When I was first starting out coloring, I got gigs doing flatting for pros. One of my first jobs was for John Rauch for Marvel’s Fear Itself: Homefront #1. I’m trying to prep some samples for the upcoming Emerald City ComiCon, so I’m diving into my HD looking for pages I feel are a good fit and challenge for me. Lines by Elia Bonetti. I don’t remember where I got the lines of this, but it’s by Jimmy Cheung (pencils) and John Dell (inks). Captain America versus Iron Man for a two part cover during the whole Civil War storyline a few years (really? Years already?). This version of the cover had Cap winning, the other had Iron Man winning. Did an even more complicated and labor intensive process on this. The previous technique I was using to color of grayscale had some flaws that made me have a lot more trial and error to get it right. This new way is more likely to get the results I want, but will take some time to streamline into a useful method. Again, thanks to Matthew Clark for the excellent pencils. A while ago, longer than I care to remember, I was hanging out at the Periscope Studio with Matthew Clark. At the time I was pursuing inking and he was generous enough to let me snag some scans of his work for practice. Fast forward, and now I’m coloring and doing concept work. Found this on my hard drive and thought it would make a good experiment piece. At this stage it’s part line, part paint. Next is to take it all the way to grayscale paint, then color. |
||||
|
Copyright © 2012 Colwell Illustration - All Rights Reserved |
||||